The world is different once an artist dies. The same goes for their music. Since D’Angelo’s death, Wesley keeps returning to “Black Messiah” — to him, a perfect final album. What makes an artist’s last record resonate with us long after they’re gone? Wesley invites his friend Alex Pappademas, a senior culture editor at GQ Magazine, to listen back to some last albums that have haunted them both. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and
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Get to know me.
Leave that to me. Send a distress signal, and inform the Senate that all on board were killed. Dantooine. They’re on Dantooine. The plans you refer to will soon be back in our hands. Alderaan? I’m not going to Alderaan. I’ve got to go home.
I find your lack of faith disturbing. Kid, I’ve flown from one side of this galaxy to the other. I’ve seen a lot of strange stuff, but I’ve never seen anything to make me believe there’s one all-powerful Force controlling everything. There’s no mystical energy field that controls my destiny. It’s all a lot of simple tricks.
Amazing show by Jason, by far from the countries Vokalia and Consonantia. I am really looking forward to work together for the next project.
I love this show, by far from the countries Vokalia and Consonantia. I am really looking forward to work together for the next project.
Jason is a great stroyteller, by far from the countries Vokalia and Consonantia. I am really looking forward to work together for the next project.
Amazing show by Jason, by far from the countries Vokalia and Consonantia. I am really looking forward to work together for the next project.
I love this show, by far from the countries Vokalia and Consonantia. I am really looking forward to work together for the next project.